Originally set in the 15th century, Tchaikovsky's "The Enchantress" is updated to the present day in this innovative production. The charismatic, emancipated Nastasya, who rejects the advances of the devious Mamïrov, duly faces the implacable forces of traditional values in a society riven by divisions between liberal freedoms and religious orthodoxies. The tragic outcome engulfs everyone...

The modest and shy Zhenya is plagued by a string of misfortunes: the man she had lived with for quite some time has left her, she has lost her job, and her father offers no help because he lives with his new wife and makes decisions only with her approval. To make matters worse, her landlady keeps demanding rent when Zhenya barely has enough to survive. Her friend Masha comes to the rescue, helping Zhenya regain confidence and encouraging her to take action. While discussing possible ways out of her situation, Zhenya remembers that her grandmother possessed ancient mystical knowledge and had once shared many secrets of magic with her. The friends decide that Zhenya should inherit her grandmother’s gift — and perhaps even make a living from it.

Mae Murray as a Jazz Age baby who treats men like swine until she falls for the upright doctor living next door.

Henry was in a fatal car crash a year ago which left him depressed and isolated. His best friends take him to a secluded cottage to help with his depression but they keep having unexpected visits from a spirit that won't leave them alone.

A magician extending his work offstage takes the wrong side in a local turf war and needs all his skills to resist violence, temptation, and unintended consequences - while his enemies fight to steal his secrets. Merlin enjoys his stage shows, and has a nice little sideline in "public magic" - helping people in their everyday lives. Is the magic real? Does it matter? It's not something you could complain about. Then he's caught in the middle of an affair involving politics, corruption, and the fate of thousands of people. But that's not the real danger. A beautiful young woman comes into his life - girlfriend of his dead stepson. She has reasons of her own for wanting his secrets, and Merlin is subjected to all her erotic charm as she tries to learn his powers.

To bring together again, for the first time since their premiere on a December evening in Moscow, Tchaikovsky’s opera Iolanta and ballet The Nutcracker, was the audacious challenge that Russian stage director Dmitri Tcherniakov accepted for the Palais Garnier in Paris in March 2016 : a revolutionary production, which was to become one of the key events of the Paris Opera season.

A great performance at the Carnegie Hall 1991Tschaikovsky „Pique Dame“ under Seiji Ozawa with the Boston Symphony Orchestra.

Inspired by Pushkin's masterpiece of Russian literature, Tchaikovsky’s opera provides a sublime portrait – both ironic and sympathetic – of a character embittered by society life, rejecting love out of vanity, killing his friend the poet Lenski out of pride and spending the rest of his days in abject despair. A repertoire classic, Willy Decker’s streamlined production makes the Paris Opera echo once more to the strains of Russian romantic music. Edward Gardner conducts an exceptional cast including Peter Mattei in the title role and Anna Netrebko as Tatiana.

Tchaikovsky: Swan Lake – The Royal Ballet

一位指挥家在准备首演柴可夫斯基的最后一部交响曲的同时，揭开了这位作曲家生平的神秘面纱。